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-rw-r--r-- | oiv/osnutek/tex/prakticni.tex | 4 | ||||
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-rw-r--r-- | oiv/osnutek/tex/viri.tex | 6 |
14 files changed, 73 insertions, 909 deletions
diff --git a/oiv/osnutek/dokument.aux b/oiv/osnutek/dokument.aux index f6739f8..7462ec1 100644 --- a/oiv/osnutek/dokument.aux +++ b/oiv/osnutek/dokument.aux @@ -20,29 +20,30 @@ \citation{portal} \citation{likovna} \citation{60dz} +\@writefile{toc}{\contentsline {section}{\numberline {1}Uvod}{3}{section.1}\protected@file@percent } \citation{celostna} \citation{umetniska} \citation{celostna} \citation{delo} +\citation{wikiglanz} +\citation{delo} +\citation{wikistavbadz} \bibcite{60dz}{1} -\@writefile{toc}{\contentsline {section}{\numberline {1}Uvod}{3}{section.1}\protected@file@percent } -\@writefile{toc}{\contentsline {section}{\numberline {2}Teoretični del}{3}{section.2}\protected@file@percent } -\@writefile{toc}{\contentsline {subsection}{\numberline {2.1}Pojem \textit {celostna umetnina}}{3}{subsection.2.1}\protected@file@percent } -\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.1}V slikarstvu}{3}{subsubsection.2.1.1}\protected@file@percent } -\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.2}V arhitekturi}{3}{subsubsection.2.1.2}\protected@file@percent } -\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.3}Barok}{3}{subsubsection.2.1.3}\protected@file@percent } -\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.4}Pojav celostne umetnine po svetu}{3}{subsubsection.2.1.4}\protected@file@percent } -\@writefile{toc}{\contentsline {subsection}{\numberline {2.2}O slovenski zgradbi parlamenta in o njenem arhitektu}{3}{subsection.2.2}\protected@file@percent } -\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.2.1}Arhitekt}{3}{subsubsection.2.2.1}\protected@file@percent } -\@writefile{toc}{\contentsline {paragraph}{Življenje}{3}{section*.4}\protected@file@percent } -\@writefile{toc}{\contentsline {paragraph}{Dela}{3}{section*.5}\protected@file@percent } -\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.2.2}Zgodovina}{3}{subsubsection.2.2.2}\protected@file@percent } -\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.2.3}Značilnosti}{3}{subsubsection.2.2.3}\protected@file@percent } -\@writefile{toc}{\contentsline {paragraph}{Notranjost}{3}{section*.6}\protected@file@percent } -\@writefile{toc}{\contentsline {paragraph}{Portal}{3}{section*.7}\protected@file@percent } -\@writefile{toc}{\contentsline {subsection}{\numberline {2.3}Sorodne zgradbe}{3}{subsection.2.3}\protected@file@percent } -\@writefile{toc}{\contentsline {section}{\numberline {3}Praktični del}{3}{section.3}\protected@file@percent } -\@writefile{toc}{\contentsline {subsection}{\numberline {3.1}Anketa}{3}{subsection.3.1}\protected@file@percent } +\@writefile{toc}{\contentsline {section}{\numberline {2}Teoretični del}{4}{section.2}\protected@file@percent } +\@writefile{toc}{\contentsline {subsection}{\numberline {2.1}Pojem \textit {celostna umetnina}}{4}{subsection.2.1}\protected@file@percent } +\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.1}V slikarstvu}{4}{subsubsection.2.1.1}\protected@file@percent } +\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.2}V arhitekturi}{4}{subsubsection.2.1.2}\protected@file@percent } +\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.3}Barok}{4}{subsubsection.2.1.3}\protected@file@percent } +\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.4}Pojav celostne umetnine po svetu}{4}{subsubsection.2.1.4}\protected@file@percent } +\@writefile{toc}{\contentsline {subsection}{\numberline {2.2}O slovenski zgradbi parlamenta in o njenem arhitektu}{4}{subsection.2.2}\protected@file@percent } +\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.2.1}Arhitekt}{4}{subsubsection.2.2.1}\protected@file@percent } +\@writefile{toc}{\contentsline {paragraph}{Življenje}{4}{section*.4}\protected@file@percent } +\@writefile{toc}{\contentsline {paragraph}{Dela}{4}{section*.5}\protected@file@percent } +\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.2.2}Zgodovina}{4}{subsubsection.2.2.2}\protected@file@percent } +\@writefile{toc}{\contentsline {paragraph}{Notranjost}{4}{section*.6}\protected@file@percent } +\@writefile{toc}{\contentsline {paragraph}{Portal}{4}{section*.7}\protected@file@percent } +\@writefile{toc}{\contentsline {section}{\numberline {3}Praktični del}{4}{section.3}\protected@file@percent } +\@writefile{toc}{\contentsline {subsection}{\numberline {3.1}Ogled državnega zbora}{4}{subsection.3.1}\protected@file@percent } \bibcite{delo}{2} \bibcite{glanz}{3} \bibcite{poslopje}{4} @@ -50,7 +51,8 @@ \bibcite{trg}{6} \bibcite{umetniska}{7} \bibcite{portal}{8} -\bibcite{likovna}{9} -\bibcite{celostna}{10} -\@writefile{toc}{\contentsline {section}{\numberline {4}Viri in literatura}{4}{section.4}\protected@file@percent } -\@writefile{toc}{\contentsline {section}{\numberline {5}Zaključek}{4}{section.5}\protected@file@percent } +\bibcite{wikiglanz}{9} +\bibcite{likovna}{10} +\bibcite{celostna}{11} +\@writefile{toc}{\contentsline {section}{\numberline {4}Viri in literatura}{5}{section.4}\protected@file@percent } +\@writefile{toc}{\contentsline {section}{\numberline {5}Zaključek}{5}{section.5}\protected@file@percent } diff --git a/oiv/osnutek/dokument.log b/oiv/osnutek/dokument.log index baacbff..84671c7 100644 --- a/oiv/osnutek/dokument.log +++ b/oiv/osnutek/dokument.log @@ -1,4 +1,4 @@ -This is pdfTeX, Version 3.14159265-2.6-1.40.20 (TeX Live 2019/Debian) (preloaded format=pdflatex 2020.9.9) 16 OCT 2020 19:23 +This is pdfTeX, Version 3.14159265-2.6-1.40.20 (TeX Live 2019/Debian) (preloaded format=pdflatex 2020.9.9) 16 OCT 2020 20:53 entering extended mode \write18 enabled. %&-line parsing enabled. @@ -913,601 +913,4 @@ Package: float 2001/11/08 v1.3d Float enhancements (AL) \@floatcapt=\box117 ) (/usr/share/texlive/texmf-dist/tex/latex/tasks/tasks.sty -(/usr/share/texlive/texmf-dist/tex/latex/l3packages/xtemplate/xtemplate.sty -Package: xtemplate 2020-02-25 L3 Experimental 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[1][-]{section.5}{Zakljucek}{}% 14 diff --git a/oiv/osnutek/dokument.pdf b/oiv/osnutek/dokument.pdf Binary files differindex 3313566..0ee84b1 100644 --- a/oiv/osnutek/dokument.pdf +++ b/oiv/osnutek/dokument.pdf diff --git a/oiv/osnutek/dokument.synctex(busy) b/oiv/osnutek/dokument.synctex(busy) new file mode 100644 index 0000000..e69de29 --- /dev/null +++ b/oiv/osnutek/dokument.synctex(busy) diff --git a/oiv/osnutek/dokument.synctex.gz b/oiv/osnutek/dokument.synctex.gz Binary files differindex 017d39a..12851d6 100644 --- a/oiv/osnutek/dokument.synctex.gz +++ b/oiv/osnutek/dokument.synctex.gz diff --git a/oiv/osnutek/dokument.tex b/oiv/osnutek/dokument.tex index 7e7df00..bd4f31a 100644 --- a/oiv/osnutek/dokument.tex +++ b/oiv/osnutek/dokument.tex @@ -10,6 +10,7 @@ \input{povzetek} \newpage \input{uvod} +\newpage \input{teoreticni} \input{prakticni} \input{viri} diff --git a/oiv/osnutek/dokument.toc b/oiv/osnutek/dokument.toc index ae87a68..ff681d3 100644 --- a/oiv/osnutek/dokument.toc +++ b/oiv/osnutek/dokument.toc @@ -1,20 +1,18 @@ \contentsline {section}{\numberline {1}Uvod}{3}{section.1}% -\contentsline {section}{\numberline {2}Teoretični del}{3}{section.2}% -\contentsline {subsection}{\numberline {2.1}Pojem \textit {celostna umetnina}}{3}{subsection.2.1}% -\contentsline {subsubsection}{\numberline {2.1.1}V slikarstvu}{3}{subsubsection.2.1.1}% -\contentsline {subsubsection}{\numberline {2.1.2}V arhitekturi}{3}{subsubsection.2.1.2}% -\contentsline {subsubsection}{\numberline {2.1.3}Barok}{3}{subsubsection.2.1.3}% -\contentsline {subsubsection}{\numberline {2.1.4}Pojav celostne umetnine po svetu}{3}{subsubsection.2.1.4}% -\contentsline {subsection}{\numberline {2.2}O slovenski zgradbi parlamenta in o njenem arhitektu}{3}{subsection.2.2}% -\contentsline {subsubsection}{\numberline {2.2.1}Arhitekt}{3}{subsubsection.2.2.1}% -\contentsline {paragraph}{Življenje}{3}{section*.4}% -\contentsline {paragraph}{Dela}{3}{section*.5}% -\contentsline {subsubsection}{\numberline 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\ No newline at end of file diff --git a/oiv/osnutek/tex/headers.tex b/oiv/osnutek/tex/headers.tex index 0870bd1..e246d2f 100644 --- a/oiv/osnutek/tex/headers.tex +++ b/oiv/osnutek/tex/headers.tex @@ -98,7 +98,7 @@ \newcommand{\footcite}[1]{\footnote{\cite{#1}}} \graphicspath{{img/}} \renewcommand\abstractname{Povzetek} -\date{12. oktober 2020} +\date{16. oktober 2020} \renewcommand\contentsname{Kazalo vsebine} \renewcommand\figurename{Slika} \renewcommand\abstractname{Povzetek} diff --git a/oiv/osnutek/tex/povzetek.tex b/oiv/osnutek/tex/povzetek.tex index f3d01b2..f794d5a 100644 --- a/oiv/osnutek/tex/povzetek.tex +++ b/oiv/osnutek/tex/povzetek.tex @@ -2,6 +2,6 @@ Obvezna izbirna naloga \textit{Slovenski parlament, celostna umentnina} predstavlja temeljne razvojne procese, arhitekturne značilnosti in umetniške posebnosti zgradbe slovenskega parlamenta v Ljubljani. Naloga podrobno opiše trenutno stanje parlamenta in se osredotoči na stanje zgradbe same, obenem pa, četudi je sama zgradba zgrajena v modernističnem slogu, z novoveškimi primerami pojasni zakaj je zgradba državnega zbora primer celostne umetnine in kako se njena okolica poenoti z umetninami in okrasjem znotraj stavbe ter v kakšni meri so različne veje umetnosti povzete v skupen umetniški izdelek. \end{abstract} \subsection*{Zahvala} -Avtorja naloge se zahvalujeva vsem prisotnim pri krojenju tega članka, med drugimi tudi najinemu mentorju Tomažu Tomažinu za umetniške pojasnitve in vodiču, ki nam je na kulturnem dnevu razložil ljubljanske arhitekturne posebnosti, potrebne za primerjavo z najino nalogo. +Avtorja naloge se zahvaljujeva vsem prisotnim pri krojenju tega članka, med drugimi tudi najinemu mentorju Tomažu Tomažinu za umetniške pojasnitve in vodiču, ki nam je na kulturnem dnevu razložil ljubljanske arhitekturne posebnosti, potrebne za primerjavo z najino nalogo. \paragraph*{Ključne besede} parlament, državni zbor, celostna umetnina, modernizem, arhitektura, umetnost, kiparstvo diff --git a/oiv/osnutek/tex/prakticni.tex b/oiv/osnutek/tex/prakticni.tex index b67ddd6..5aff9a0 100644 --- a/oiv/osnutek/tex/prakticni.tex +++ b/oiv/osnutek/tex/prakticni.tex @@ -1,3 +1,3 @@ \section{Praktični del} -\subsection{Anketa} -tukaj bova najverjetneje naredila neko anketo... +\subsection{Ogled državnega zbora} +Ker si med kulturno--športnim dnevom državnega zbora nismo šli ogledat, bova avtorja šla na ogled državnega zbora in fotografirala umetnine. diff --git a/oiv/osnutek/tex/teoreticni.tex b/oiv/osnutek/tex/teoreticni.tex index d13287d..680cf0a 100644 --- a/oiv/osnutek/tex/teoreticni.tex +++ b/oiv/osnutek/tex/teoreticni.tex @@ -1,5 +1,6 @@ \begin{multicols}{2} \section{Teoretični del} +V teoretičnem delu se predstavi in opiše državni zbor z uporabo virov, tako da se izlušči ključne podatke. \subsection{Pojem \textit{celostna umetnina}} V članku Filozofskega vestnika\cite{celostna} je pojem definiran tako: \begin{displayquote} @@ -16,20 +17,25 @@ Celostna umetnina se pojavlja v grških tragedijah, romantičnih romanih evropsk \subsection{O slovenski zgradbi parlamenta in o njenem arhitektu} V petdesetih letih dvajsetega stoletja je bila razpisana Prešernova nagrada na natečaj za arhitekurno zasnovo skupščinske stavbe. Na razpis se je prijavilo osemnajst arhitektov, prvega mesta ni dobil nihče.\cite{delo} \subsubsection{Arhitekt} -ganz +Poleg Jožeta Plečnika je bila naloga zaupana še Edvardu Ravnikarju, Vinku Glanzu, Nikolaju Bežku in Marku Župančiču. \paragraph{Življenje} -življenje ganza +Vinko Glanz se je rodil 31. julija 1902 v Kotorju v Črni gori. Po končanem študiju ladjedelstva v Zagrebu je prišel na Tehniško fakulteto v Ljubljani in tam leta 1927 diplomiral. Najprej je bil zaposlen pri spomeniški službi v Dubrovniku (1930-1941), pred napadom na Kraljevino Jugoslavijo pa je bil nekaj časa arhitekt banske uprave v Ljubljani. Po vojni je načrtoval stanovanjske bloke. Umrl je 20. februarja leta 1977.\cite{wikiglanz} \paragraph{Dela} -ostala dela arhitekta v podobnem slogu +\begin{itemize} + \item Hotel Jugoslovanski kralj (danes Hotel Slovenija) + \item Trubarjev spomenik na Rašici + \item Gimnazija Vič + \item Spomeniški kompleks Gramozna jama + \item Stavba ljudske skupščine (danes Parlament) +\end{itemize} \subsubsection{Zgodovina} -kako je potekal razvoj -\subsubsection{Značilnosti} -opišemo izgled in posebnosti +Sprva je bilo govora o Plečnikovi Katedrali svobode, kasneje, leta 1954, pa se je začela gradnja na nekdanjih nunskih vrtovih --- brez gradbenega dovoljenja --- po Glanzovem modelu\cite{delo}. + +Stavba je bila zgrajena med letoma 1954 in 1959 kot Ljudska skupščina. Prvič je začela delovati kot državni zbor 23. decembra 1992. 19. maja 2010 so potekale študentsko--dijaške demonstracije, ki so se spremenile v izgrede. Demonstranti so začeli metati razne predmete in poškodovali stavbo. +27. avgusta pa se je v stavbo zaletel avtomobil, ki je spet poškodoval stavbo.\cite{wikistavbadz} \paragraph{Notranjost} -freske, itd +freske in slike \paragraph{Portal} -zunanji črni del --- kdo ga je naredil -\subsection{Sorodne zgradbe} -recimo iz istega obdobja +zunanji črni del, izklesan iz črnega marmorja \end{multicols} diff --git a/oiv/osnutek/tex/viri.tex b/oiv/osnutek/tex/viri.tex index 70540be..ca4368c 100644 --- a/oiv/osnutek/tex/viri.tex +++ b/oiv/osnutek/tex/viri.tex @@ -3,19 +3,21 @@ \bibitem{60dz} \textit{60. obletnica zgradbe}. Portal DZ. 2019. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{60dz} \bibitem{delo} - Bojc, S. \textit{Galerija slovenskega kamna in umetnosti}. Delo. 2020. [Internet]. [citirano 16. oktobra 2020]. Dostopno na naslovu \shortlink{delo} + Bojc, S. \textit{Galerija slovenskega kamna in umetnosti}. Delo. 2019. [Internet]. [citirano 16. oktobra 2020]. Dostopno na naslovu \shortlink{delo} \bibitem{glanz} Grabar, N. \textit{Arhitektura parlamenta po načrtih Vinka Glanza}. 2012. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{glanz} \bibitem{poslopje} \textit{Parlamentarno poslopje}. Portal DZ. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{poslopje} \bibitem{wikistavbadz} % različna mnenja. UPORABLJAJ KRATKE LINKE, ~20 zna. - \textit{Stavba Državnega zbora Republike Slovenije}. 2019. [citirano 12. oktobra 2020]. [Internet] Dostopno na naslovu \url{https://w.wiki/gZg} + \textit{Stavba Državnega zbora Republike Slovenije}. 2019. Slovenska Wikipedija. [citirano 12. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{wstavbadz} \bibitem{trg} \textit{Trg republike}. Visit Ljubljana. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{trg} \bibitem{umetniska} \textit{Umetniška zbirka}. Portal DZ. [citirano 16. okrobra 2020]. [Internet]. Dostopno na naslovu \shortlink{umetniska} \bibitem{portal} \textit{Vhodni portal}. Portal DZ. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{portal} + \bibitem{wikiglanz} + \textit{Vinko Glanz}. 2018. Slovenska Wikipedija. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu: \shortlink{wglanz} \bibitem{likovna} Vovk, M. \textit{Likovna oprema palače ljudske skupščine --- freskarski cikel Slavka Pengova in kiparski portal Zdenka Kalina in Karla Putriha}. 2012. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{likovna} \bibitem{celostna} |