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-rw-r--r--oiv/osnutek/dokument.aux58
-rw-r--r--oiv/osnutek/dokument.bbl124
-rw-r--r--oiv/osnutek/dokument.bcf1
-rw-r--r--oiv/osnutek/dokument.bib26
-rw-r--r--oiv/osnutek/dokument.blg30
-rw-r--r--oiv/osnutek/dokument.docxbin3589361 -> 193162 bytes
-rw-r--r--oiv/osnutek/dokument.dvibin0 -> 78108 bytes
-rw-r--r--oiv/osnutek/dokument.log144
-rw-r--r--oiv/osnutek/dokument.pdfbin115340 -> 122452 bytes
-rw-r--r--oiv/osnutek/dokument.synctex.gzbin64330 -> 69537 bytes
-rw-r--r--oiv/osnutek/dokument.tex4
-rw-r--r--oiv/osnutek/dokument.toc54
-rw-r--r--oiv/osnutek/stderr.log2
-rw-r--r--oiv/osnutek/stdout.log236
-rw-r--r--oiv/osnutek/tex/headers.tex3
-rw-r--r--oiv/osnutek/tex/naslovnica.tex4
-rw-r--r--oiv/osnutek/tex/prakticni.tex2
-rw-r--r--oiv/osnutek/tex/teoreticni.tex4
-rw-r--r--oiv/osnutek/tex/uvod.tex6
-rw-r--r--oiv/osnutek/tex/viri.tex29
-rw-r--r--oiv/osnutek/tex/zakljucek.tex1
21 files changed, 461 insertions, 267 deletions
diff --git a/oiv/osnutek/dokument.aux b/oiv/osnutek/dokument.aux
index 6f2e585..c3ba35d 100644
--- a/oiv/osnutek/dokument.aux
+++ b/oiv/osnutek/dokument.aux
@@ -32,28 +32,28 @@
\abx@aux@segm{0}{0}{likovna}
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-\@writefile{toc}{\contentsline {subsection}{\numberline {1.1}Hipoteze}{4}{subsection.1.1}\protected@file@percent }
+\@writefile{toc}{\contentsline {section}{\numberline {1}Uvod}{4}{section.1}\protected@file@percent }
+\@writefile{toc}{\contentsline {subsection}{\numberline {1.1}Hipoteze}{5}{subsection.1.1}\protected@file@percent }
+\@writefile{toc}{\contentsline {section}{\numberline {2}Teoretični del}{6}{section.2}\protected@file@percent }
\abx@aux@cite{celostna}
\abx@aux@segm{0}{0}{celostna}
+\@writefile{toc}{\contentsline {subsection}{\numberline {2.1}Pojem \textit {celostna umetnina}}{7}{subsection.2.1}\protected@file@percent }
+\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.1}V slikarstvu}{8}{subsubsection.2.1.1}\protected@file@percent }
\abx@aux@cite{umetniska}
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-\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.2}V arhitekturi}{5}{subsubsection.2.1.2}\protected@file@percent }
+\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.2}V arhitekturi}{9}{subsubsection.2.1.2}\protected@file@percent }
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\abx@aux@cite{celostna}
\abx@aux@segm{0}{0}{celostna}
+\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.4}Pojav celostne umetnine po svetu}{11}{subsubsection.2.1.4}\protected@file@percent }
\abx@aux@cite{delo}
\abx@aux@segm{0}{0}{delo}
+\@writefile{toc}{\contentsline {subsection}{\numberline {2.2}O slovenski zgradbi parlamenta in o njenem arhitektu}{12}{subsection.2.2}\protected@file@percent }
\abx@aux@cite{wikiglanz}
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-\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.2.1}Arhitekt}{6}{subsubsection.2.2.1}\protected@file@percent }
-\@writefile{toc}{\contentsline {paragraph}{Življenje}{6}{subsubsection.2.2.1}\protected@file@percent }
-\@writefile{toc}{\contentsline {paragraph}{Dela}{6}{subsubsection.2.2.1}\protected@file@percent }
+\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.2.1}Arhitekt}{13}{subsubsection.2.2.1}\protected@file@percent }
+\@writefile{toc}{\contentsline {paragraph}{Življenje}{13}{subsubsection.2.2.1}\protected@file@percent }
+\@writefile{toc}{\contentsline {paragraph}{Dela}{13}{subsubsection.2.2.1}\protected@file@percent }
\abx@aux@cite{delo}
\abx@aux@segm{0}{0}{delo}
\abx@aux@cite{wikistavbadz}
@@ -62,30 +62,34 @@
\abx@aux@segm{0}{0}{enwikiparl}
\abx@aux@cite{portal}
\abx@aux@segm{0}{0}{portal}
-\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.2.2}Zgodovina}{7}{subsubsection.2.2.2}\protected@file@percent }
-\@writefile{toc}{\contentsline {paragraph}{Notranjost}{7}{subsubsection.2.2.2}\protected@file@percent }
-\@writefile{toc}{\contentsline {paragraph}{Portal}{7}{subsubsection.2.2.2}\protected@file@percent }
-\@writefile{toc}{\contentsline {section}{\numberline {3}Praktični del}{8}{section.3}\protected@file@percent }
-\@writefile{toc}{\contentsline {subsection}{\numberline {3.1}Ogled državnega zbora}{8}{subsection.3.1}\protected@file@percent }
-\@writefile{toc}{\contentsline {paragraph}{Opomba avtorjev}{8}{subsection.3.1}\protected@file@percent }
-\@writefile{toc}{\contentsline {subsection}{\numberline {3.2}Anketa o umetniških stališčih populacije}{8}{subsection.3.2}\protected@file@percent }
-\@writefile{toc}{\contentsline {subsubsection}{\numberline {3.2.1}Priprava anketnega formularja}{8}{subsubsection.3.2.1}\protected@file@percent }
-\@writefile{toc}{\contentsline {subsubsection}{\numberline {3.2.2}Analiza pridobljenih rezultatov}{9}{subsubsection.3.2.2}\protected@file@percent }
-\@writefile{toc}{\contentsline {section}{\numberline {4}Zaključek}{11}{section.4}\protected@file@percent }
-\@writefile{toc}{\contentsline {section}{\numberline {5}Viri in literatura}{12}{section.5}\protected@file@percent }
+\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.2.2}Zgodovina}{14}{subsubsection.2.2.2}\protected@file@percent }
+\@writefile{toc}{\contentsline {paragraph}{Notranjost}{14}{subsubsection.2.2.2}\protected@file@percent }
+\@writefile{toc}{\contentsline {paragraph}{Portal}{14}{subsubsection.2.2.2}\protected@file@percent }
+\@writefile{toc}{\contentsline {section}{\numberline {3}Praktični del}{15}{section.3}\protected@file@percent }
+\@writefile{toc}{\contentsline {subsection}{\numberline {3.1}Ogled državnega zbora}{15}{subsection.3.1}\protected@file@percent }
+\@writefile{toc}{\contentsline {paragraph}{Opomba avtorjev}{15}{subsection.3.1}\protected@file@percent }
+\@writefile{toc}{\contentsline {subsection}{\numberline {3.2}Anketa o umetniških stališčih populacije}{16}{subsection.3.2}\protected@file@percent }
+\@writefile{toc}{\contentsline {subsubsection}{\numberline {3.2.1}Priprava anketnega formularja}{17}{subsubsection.3.2.1}\protected@file@percent }
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+\@writefile{toc}{\contentsline {section}{\numberline {6}Priloge}{22}{section.6}\protected@file@percent }
+\@writefile{toc}{\contentsline {subsection}{\numberline {6.1}Priloga 1 --- odgovori na anketni vprašalnik}{22}{subsection.6.1}\protected@file@percent }
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\abx@aux@cite{umetniska}
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-\@writefile{toc}{\contentsline {subsection}{\numberline {6.2}Priloga 2 --- anketni vprašalnik}{13}{subsection.6.2}\protected@file@percent }
\abx@aux@refcontextdefaultsdone
\abx@aux@defaultrefcontext{0}{60dz}{nyt/global//global/global}
\abx@aux@defaultrefcontext{0}{delo}{nyt/global//global/global}
+\abx@aux@defaultrefcontext{0}{glanz}{nyt/global//global/global}
\abx@aux@defaultrefcontext{0}{enwikiparl}{nyt/global//global/global}
+\abx@aux@defaultrefcontext{0}{poslopje}{nyt/global//global/global}
\abx@aux@defaultrefcontext{0}{wikistavbadz}{nyt/global//global/global}
+\abx@aux@defaultrefcontext{0}{anketa}{nyt/global//global/global}
+\abx@aux@defaultrefcontext{0}{trg}{nyt/global//global/global}
\abx@aux@defaultrefcontext{0}{umetniska}{nyt/global//global/global}
\abx@aux@defaultrefcontext{0}{portal}{nyt/global//global/global}
\abx@aux@defaultrefcontext{0}{wikiglanz}{nyt/global//global/global}
\abx@aux@defaultrefcontext{0}{likovna}{nyt/global//global/global}
\abx@aux@defaultrefcontext{0}{celostna}{nyt/global//global/global}
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diff --git a/oiv/osnutek/dokument.bbl b/oiv/osnutek/dokument.bbl
index 55845fc..805d03f 100644
--- a/oiv/osnutek/dokument.bbl
+++ b/oiv/osnutek/dokument.bbl
@@ -74,6 +74,41 @@
\verb https://xn--jha.ga/delo
\endverb
\endentry
+ \entry{glanz}{online}{}
+ \name{author}{1}{}{%
+ {{un=0,uniquepart=base,hash=a825f7322b5069e877358d357c8a6abb}{%
+ family={Grabar},
+ familyi={G\bibinitperiod},
+ given={N.},
+ giveni={N\bibinitperiod},
+ givenun=0}}%
+ }
+ \strng{namehash}{a825f7322b5069e877358d357c8a6abb}
+ \strng{fullhash}{a825f7322b5069e877358d357c8a6abb}
+ \strng{bibnamehash}{a825f7322b5069e877358d357c8a6abb}
+ \strng{authorbibnamehash}{a825f7322b5069e877358d357c8a6abb}
+ \strng{authornamehash}{a825f7322b5069e877358d357c8a6abb}
+ \strng{authorfullhash}{a825f7322b5069e877358d357c8a6abb}
+ \field{sortinit}{G}
+ \field{sortinithash}{62eb2aa29549e4fdbd3cb154ec5711cb}
+ \field{extradatescope}{labelyear}
+ \field{labeldatesource}{year}
+ \field{labelnamesource}{author}
+ \field{labeltitlesource}{title}
+ \field{title}{Arhitektura parlamenta po načinih Vinka Glanza}
+ \field{urlday}{16}
+ \field{urlmonth}{10}
+ \field{urlyear}{2020}
+ \field{year}{2012}
+ \field{urldateera}{ce}
+ \true{nocite}
+ \verb{urlraw}
+ \verb https://ž.ga/glanz
+ \endverb
+ \verb{url}
+ \verb https://xn--jha.ga/glanz
+ \endverb
+ \endentry
\entry{enwikiparl}{online}{}
\field{sortinit}{N}
\field{sortinithash}{98cf339a479c0454fe09153a08675a15}
@@ -94,6 +129,25 @@
\verb https://w.wiki/kSE
\endverb
\endentry
+ \entry{poslopje}{online}{}
+ \field{sortinit}{P}
+ \field{sortinithash}{bb5b15f2db90f7aef79bb9e83defefcb}
+ \field{labeldatesource}{nodate}
+ \field{labeltitlesource}{title}
+ \field{journaltitle}{Portal DZ}
+ \field{title}{Parlamentarno poslopje}
+ \field{urlday}{16}
+ \field{urlmonth}{10}
+ \field{urlyear}{2020}
+ \field{urldateera}{ce}
+ \true{nocite}
+ \verb{urlraw}
+ \verb https://ž.ga/poslopje
+ \endverb
+ \verb{url}
+ \verb https://xn--jha.ga/poslopje
+ \endverb
+ \endentry
\entry{wikistavbadz}{online}{}
\field{sortinit}{S}
\field{sortinithash}{c319cff79d99c853d775f88277d4e45f}
@@ -114,34 +168,94 @@
\verb https://w.wiki/mAi
\endverb
\endentry
+ \entry{anketa}{online}{}
+ \name{author}{1}{}{%
+ {{un=0,uniquepart=base,hash=9a6097b2c30ae01beeccd14dba49d437}{%
+ family={Šijanec},
+ familyi={Š\bibinitperiod},
+ given={A.\bibnamedelimi L.\bibnamedelimi in\bibnamedelimb Marn.\bibnamedelimi J},
+ giveni={A\bibinitperiod\bibinitdelim L\bibinitperiod\bibinitdelim i\bibinitperiod\bibinitdelim M\bibinitperiod\bibinitdelim J\bibinitperiod},
+ givenun=0}}%
+ }
+ \strng{namehash}{9a6097b2c30ae01beeccd14dba49d437}
+ \strng{fullhash}{9a6097b2c30ae01beeccd14dba49d437}
+ \strng{bibnamehash}{9a6097b2c30ae01beeccd14dba49d437}
+ \strng{authorbibnamehash}{9a6097b2c30ae01beeccd14dba49d437}
+ \strng{authornamehash}{9a6097b2c30ae01beeccd14dba49d437}
+ \strng{authorfullhash}{9a6097b2c30ae01beeccd14dba49d437}
+ \field{sortinit}{Š}
+ \field{sortinithash}{149222eb1ce43262aba86ddc45b06d20}
+ \field{extradatescope}{labelyear}
+ \field{labeldatesource}{year}
+ \field{labelnamesource}{author}
+ \field{labeltitlesource}{title}
+ \field{title}{Anketa o umetniških stališčih populacije glede slovenskega parlamenta}
+ \field{urlday}{26}
+ \field{urlmonth}{11}
+ \field{urlyear}{2020}
+ \field{year}{2020}
+ \field{urldateera}{ce}
+ \true{nocite}
+ \verb{urlraw}
+ \verb https://1ka.si/306708
+ \endverb
+ \verb{url}
+ \verb https://1ka.si/306708
+ \endverb
+ \endentry
+ \entry{trg}{online}{}
+ \field{sortinit}{T}
+ \field{sortinithash}{51f9faf24c60c62ca764a77f78cf5666}
+ \field{extradatescope}{labelyear}
+ \field{labeldatesource}{year}
+ \field{labeltitlesource}{title}
+ \field{journaltitle}{Visit Ljubljana}
+ \field{title}{Trg republike}
+ \field{urlday}{16}
+ \field{urlmonth}{10}
+ \field{urlyear}{2020}
+ \field{year}{2020}
+ \field{urldateera}{ce}
+ \true{nocite}
+ \verb{urlraw}
+ \verb https://ž.ga/trg
+ \endverb
+ \verb{url}
+ \verb https://xn--jha.ga/trg
+ \endverb
+ \endentry
\entry{umetniska}{online}{}
\field{sortinit}{U}
\field{sortinithash}{77a6935510e008adcf5b555e7b4f0711}
- \field{labeldatesource}{nodate}
+ \field{extradatescope}{labelyear}
+ \field{labeldatesource}{year}
\field{labeltitlesource}{title}
\field{journaltitle}{Portal DZ}
\field{title}{Umetniška zbirka}
\field{urlday}{16}
\field{urlmonth}{10}
\field{urlyear}{2020}
+ \field{year}{2013}
\field{urldateera}{ce}
\verb{urlraw}
- \verb https://w.wiki/umetniska
+ \verb https://ž.ga/umetniska
\endverb
\verb{url}
- \verb https://w.wiki/umetniska
+ \verb https://xn--jha.ga/umetniska
\endverb
\endentry
\entry{portal}{online}{}
\field{sortinit}{V}
\field{sortinithash}{02432525618c08e2b03cac47c19764af}
- \field{labeldatesource}{nodate}
+ \field{extradatescope}{labelyear}
+ \field{labeldatesource}{year}
\field{labeltitlesource}{title}
\field{journaltitle}{Portal DZ}
\field{title}{Vhodni portal}
\field{urlday}{16}
\field{urlmonth}{10}
\field{urlyear}{2020}
+ \field{year}{2013}
\field{urldateera}{ce}
\verb{urlraw}
\verb https://ž.ga/portal
@@ -227,7 +341,7 @@
\field{labeltitlesource}{title}
\field{journaltitle}{Filozofski vestnik}
\field{number}{2}
- \field{title}{Gas Gesamtkunstwerk als Nostalgie}
+ \field{title}{Celostna umetnina kot nostalgija}
\field{urlday}{16}
\field{urlmonth}{10}
\field{urlyear}{2020}
diff --git a/oiv/osnutek/dokument.bcf b/oiv/osnutek/dokument.bcf
index 9639396..af6de15 100644
--- a/oiv/osnutek/dokument.bcf
+++ b/oiv/osnutek/dokument.bcf
@@ -2202,6 +2202,7 @@
<bcf:citekey order="10">wikistavbadz</bcf:citekey>
<bcf:citekey order="11">enwikiparl</bcf:citekey>
<bcf:citekey order="12">portal</bcf:citekey>
+ <bcf:citekey order="0" nocite="1">*</bcf:citekey>
<bcf:citekey order="13">umetniska</bcf:citekey>
</bcf:section>
<!-- SORTING TEMPLATES -->
diff --git a/oiv/osnutek/dokument.bib b/oiv/osnutek/dokument.bib
index 30f6682..25de380 100644
--- a/oiv/osnutek/dokument.bib
+++ b/oiv/osnutek/dokument.bib
@@ -2,7 +2,6 @@
title = {60. obletnica zgradbe},
journal = {Portal DZ},
year = {2019},
- addenum = "[citirano 16. oktobra 2020]",
urldate = {2020-10-16},
url = "https://ž.ga/60dz"
}
@@ -11,7 +10,6 @@
title = {Galerija slovenskega kamna in umetnosti},
journal = {Delo},
year = {2019},
- addenum = "[citirano 16. oktobra 2020]",
urldate = {2020-10-16},
url = "https://ž.ga/delo"
}
@@ -19,7 +17,6 @@
author = {Grabar, N.},
title = {Arhitektura parlamenta po načinih Vinka Glanza},
year = {2012},
- addenum = "[citirano 16. oktobra 2020]",
urldate = {2020-10-16},
url = "https://ž.ga/glanz",
}
@@ -27,14 +24,12 @@
title = {National Assembly Building of Slovenia},
year = {2020},
journal = {Angleška Wikipedia},
- addenum = "[citirano 6. novembra 2020]",
urldate = {2020-11-06},
url = {https://w.wiki/kSE}
}
@online{poslopje,
title = {Parlamentarno poslopje},
journal = {Portal DZ},
- addenum = "[citirano 16. oktobra 2020]",
urldate = {2020-10-16},
url = "https://ž.ga/poslopje"
}
@@ -42,28 +37,27 @@
title = {Stavba Državnega zbora Republike Slovenije},
year = {2019},
journal = {Slovenska Wikipedija},
- addenum = "[citirano 12. oktobra 2020]",
urldate = {2020-10-12},
url = "https://w.wiki/mAi"
}
@online{trg,
title = {Trg republike},
journal = {Visit Ljubljana},
- addenum = "[citirano 16. oktobra 2020]",
urldate = {2020-10-16},
+ year = {2020},
url = "https://ž.ga/trg"
}
@online{umetniska,
title = {Umetniška zbirka},
journal = {Portal DZ},
- addenum = "[citirano 16. oktobra 2020]",
urldate = {2020-10-16},
- url = "https://w.wiki/umetniska"
+ year = {2013},
+ url = "https://ž.ga/umetniska"
}
@online{portal,
title = {Vhodni portal},
journal = {Portal DZ},
- addenum = "[citirano 16. oktobra 2020]",
+ year = {2013},
urldate = {2020-10-16},
url = "https://ž.ga/portal"
}
@@ -71,7 +65,6 @@
title = {Vinko Glanz},
year = {2018},
journal = {Slovenska Wikipedija},
- addenum = "[citirano 16. oktobra 2020]",
urldate = {2020-10-16},
url = "https://w.wiki/mAo"
}
@@ -79,18 +72,23 @@
author = {Vovk, M.},
title = {Likovna oprema palače ljudske skupščine --- freskarski cikel Slavka Pengova in kiparski portal Zdenka Kalina in Karla Putriha},
year = {2012},
- addenum = "[citirano 16. oktobra 2020]",
urldate = {2020-10-16},
url = "https://ž.ga/likovna"
}
@book{celostna,
author = {Vrečko, J},
- title = {Gas Gesamtkunstwerk als Nostalgie},
+ title = {Celostna umetnina kot nostalgija},
year = {1989},
journal = {Filozofski vestnik},
- addenum = "[citirano 16. oktobra 2020]",
urldate = {2020-10-16},
url = "https://ž.ga/celostna",
volume = 10,
number = 2
}
+@online{anketa,
+ author = {Šijanec, A. L. in Marn. J},
+ title = {Anketa o umetniških stališčih populacije glede slovenskega parlamenta},
+ year = {2020},
+ urldate = {2020-11-26},
+ url = "https://1ka.si/306708",
+}
diff --git a/oiv/osnutek/dokument.blg b/oiv/osnutek/dokument.blg
index 94dd0c7..5a28005 100644
--- a/oiv/osnutek/dokument.blg
+++ b/oiv/osnutek/dokument.blg
@@ -1,16 +1,16 @@
-[0] Config.pm:304> INFO - This is Biber 2.14 (beta)
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-[217] biber:322> INFO - === pet nov 20, 2020, 15:28:13
-[258] Biber.pm:415> INFO - Reading 'dokument.bcf'
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-[492] Utils.pm:75> INFO - Globbing data source 'dokument.bib'
-[493] Utils.pm:91> INFO - Globbed data source 'dokument.bib' to dokument.bib
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-[726] bbl.pm:755> INFO - Output to dokument.bbl
+[204] biber:322> INFO - === čet nov 26, 2020, 16:43:19
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+[483] bibtex.pm:1653> INFO - LaTeX decoding ...
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index 4cf07c4..8bf6653 100644
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index b19398a..8b97552 100644
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diff --git a/oiv/osnutek/dokument.tex b/oiv/osnutek/dokument.tex
index 531d59d..f8807e8 100644
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+++ b/oiv/osnutek/dokument.tex
@@ -6,6 +6,10 @@
%\maketitle
\input{tex/naslovnica}
\thispagestyle{empty}
+%\begin{enumerate}[label=\textbf{\arabic*}]
+% \setcounter{enumi}{-1}
+% \item \textbf{Povzetek} 2
+%\end{enumerate}
\tableofcontents
\newpage
\input{tex/povzetek}
diff --git a/oiv/osnutek/dokument.toc b/oiv/osnutek/dokument.toc
index 45c095d..1bc20de 100644
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+\contentsline {subsubsection}{\numberline {2.1.4}Pojav celostne umetnine po svetu}{11}{subsubsection.2.1.4}%
+\contentsline {subsection}{\numberline {2.2}O slovenski zgradbi parlamenta in o njenem arhitektu}{12}{subsection.2.2}%
+\contentsline {subsubsection}{\numberline {2.2.1}Arhitekt}{13}{subsubsection.2.2.1}%
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+\contentsline {subsubsection}{\numberline {3.2.1}Priprava anketnega formularja}{17}{subsubsection.3.2.1}%
+\contentsline {subsubsection}{\numberline {3.2.2}Analiza pridobljenih rezultatov}{18}{subsubsection.3.2.2}%
+\contentsline {section}{\numberline {4}Zaključek}{19}{section.4}%
+\contentsline {section}{\numberline {5}Viri in literatura}{20}{section.5}%
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diff --git a/oiv/osnutek/stderr.log b/oiv/osnutek/stderr.log
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diff --git a/oiv/osnutek/stdout.log b/oiv/osnutek/stdout.log
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+) (./tex/viri.tex [19]
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diff --git a/oiv/osnutek/tex/headers.tex b/oiv/osnutek/tex/headers.tex
index 5edc2bd..fb8b469 100644
--- a/oiv/osnutek/tex/headers.tex
+++ b/oiv/osnutek/tex/headers.tex
@@ -117,4 +117,7 @@
\lhead{GimB, 2020/21}
\rfoot{\thepage. stran}
\newcommand{\sectionbreak}{\clearpage}
+\newcommand{\subsectionbreak}{\clearpage}
+\newcommand{\subsubsectionbreak}{\clearpage}
\renewcommand{\baselinestretch}{1.5}
+\let\familynameformat=\text
diff --git a/oiv/osnutek/tex/naslovnica.tex b/oiv/osnutek/tex/naslovnica.tex
index a9f0508..7bc6ef9 100644
--- a/oiv/osnutek/tex/naslovnica.tex
+++ b/oiv/osnutek/tex/naslovnica.tex
@@ -15,8 +15,8 @@
\end{center}
% \begin{tabular}{rl}
\Large
- MENTOR/ICA: prof. Tomaž Tomažin \\
- AVTORJA/I: Anton Luka Šijanec in Jan Marn, 2. a %\\ & Member3
+ AVTORJA: Anton Luka Šijanec in Jan Marn, 2. a \\ %\\ & Member3
+ MENTOR: prof. Tomaž Tomažin
% \end{tabular}
\begin{center}
%\textbf{Author Name}
diff --git a/oiv/osnutek/tex/prakticni.tex b/oiv/osnutek/tex/prakticni.tex
index 8762a07..8b8f3aa 100644
--- a/oiv/osnutek/tex/prakticni.tex
+++ b/oiv/osnutek/tex/prakticni.tex
@@ -14,7 +14,7 @@ Anketirancem je bila podana možnost \textit{ne vem}, tako v besedilnih poljih k
Vprašanja, ki sestavljajo anketni vprašalnik, so v prilogi.
Anketo sva z dijaki delila prek URL povezave \url{https://www.1ka.si/a/306708}.
\subsubsection{Analiza pridobljenih rezultatov}
-S pomočjo, zbranih do enaindvajsete ure šestega novembra 2020, sva izluščila naslednja dejstva.
+S pomočjo podatkov, zbranih do enaindvajsete ure šestega novembra 2020, sva izluščila naslednja dejstva.
\begin{itemize}
\item Anketo je izpolnilo petnajst dijakov, starih med petnajst in šestnajst let. Kljub temu je en dijak, star bodisi petnajst bodisi šestnajst, pod vprašanje o starosti napisal deset tisoč.
\item Na prvo vprašanje so pravilno odgovorile tri osebe, štirje so priznali nevednost, ostali pa so si izmislili številke med 1000 in 1995.
diff --git a/oiv/osnutek/tex/teoreticni.tex b/oiv/osnutek/tex/teoreticni.tex
index 073ae20..b7e3220 100644
--- a/oiv/osnutek/tex/teoreticni.tex
+++ b/oiv/osnutek/tex/teoreticni.tex
@@ -4,7 +4,7 @@ V teoretičnem delu sva po svetovnem spletu in po knjižnih virih poiskala znač
\subsection{Pojem \textit{celostna umetnina}}
V članku Filozofskega vestnika je pojem definiran tako:
\begin{displayquote}
- \say{Pojem celostne umetnine (nem. Gesamtkunstwerk) in njegove pojavne oblike so tipičen novoveški pojav, ki poskuša znova združiti v eno vse posamezne umetniške zvrsti. Potreba po takšnem (ponovnem) združevanju se sklada z nastankom sodobnega pojma umetnosti /.../} (\cite{celostna})
+ \say{Pojem celostne umetnine (nem. Gesamtkunstwerk) in njegove pojavne oblike so tipičen novoveški pojav, ki poskuša znova združiti v eno vse posamezne umetniške zvrsti. Potreba po takšnem (ponovnem) združevanju se sklada z nastankom sodobnega pojma umetnosti /.../} (\cite[str.~83]{celostna})
\end{displayquote}
\subsubsection{V slikarstvu}
V slikarstvu se pojem celostne umetnine velikokrat pojavi v baroku, ko govorimo ne le o sliki sami, temveč tudi o njeni postavitvi, osvetlitvi, načinu slikanja, okvirju in okrasih.
@@ -13,7 +13,7 @@ Na primeru slovenskega parlamenta lahko izpostavimo več temeljev celostne umetn
\subsubsection{Barok}
V baroku se sakralna arhitektura združuje skupaj z sakralnim kiparstvom in glasbo. To se predvsem opazi v opernih hišah, ki so polne okrasja in arhitekturnega blišča.
\subsubsection{Pojav celostne umetnine po svetu}
-Celostna umetnina se pojavlja v grških tragedijah, romantičnih romanih evropske predromantike, Wagnerjevih operah in Baudelairovi pesmi Korespondence. (\cite{celostna})
+Celostna umetnina se pojavlja v grških tragedijah, romantičnih romanih evropske predromantike, Wagnerjevih operah in Baudelairovi pesmi Korespondence. (\cite[str.~84--90]{celostna})
\subsection{O slovenski zgradbi parlamenta in o njenem arhitektu}
V petdesetih letih dvajsetega stoletja je bila razpisana Prešernova nagrada na natečaj za arhitekturno zasnovo skupščinske stavbe. Na razpis se je prijavilo osemnajst arhitektov, prvega mesta ni dobil nihče. (\cite{delo})
\subsubsection{Arhitekt}
diff --git a/oiv/osnutek/tex/uvod.tex b/oiv/osnutek/tex/uvod.tex
index c902683..2337cd9 100644
--- a/oiv/osnutek/tex/uvod.tex
+++ b/oiv/osnutek/tex/uvod.tex
@@ -3,7 +3,9 @@ Slovenski parlament, zgradba na Šubičevi ulici 4 v Ljubljani, je srce slovensk
Stavba tedanje skupščinske palače arhitekta Vinka Glanza (1902-1977) letos praznuje 61. obletnico odprtja vrat na dan 19. februarja. (\cite{60dz}) Kot najvišje predstavniško telo in ena izmed ključnih zgradb med osamosvojitvijo se parlament ponaša tudi z naslovom \say{Izjemen kamnoseški dosežek}. Sestavlja jo namreč več kot štirinajst različnih vrst kamna iz različnih slovenskih pokrajin, zato ji pogosto pritiče naziv \textit{Galerija slovenskega kamna}.
-Modernistične poteze so opazne iz notranjosti in zunanjosti stavbe, za dosego celostne umetnine pa je na pročelju stavbe izklesan portal iz pohorskega granita, na katerem prevlada Putrihova in Kalinova plastika. (\cite{portal,likovna})\footnote{[b.d.] v navedku nakazuje brezčasnost --- ta navedek nima letnice, \textit{ležeče črke} pa nakazujejo ime članka --- ta navedek nima avtorja} V notranjosti stavb je najbolj poznana umetniška figura freskantski cikel Slavka Pengova, natančneje se freska pojavlja v veliki dvorani, ki prikazuje zgodovino Slovencev od naselitve do obdobja prenove. (\cite{60dz})
+Modernistične poteze so opazne iz notranjosti in zunanjosti stavbe, za dosego celostne umetnine pa je na pročelju stavbe izklesan portal iz pohorskega granita, na katerem prevlada Putrihova in Kalinova plastika. (\cite{portal,likovna})
+%\footnote{[b.d.] v navedku nakazuje brezčasnost --- ta navedek nima letnice, \textit{ležeče črke} pa nakazujejo ime članka --- ta navedek nima avtorja}
+V notranjosti stavb je najbolj poznana umetniška figura freskantski cikel Slavka Pengova, natančneje se freska pojavlja v veliki dvorani, ki prikazuje zgodovino Slovencev od naselitve do obdobja prenove. (\cite{60dz})
V praktičnem delu je bil poudarek na čustvih, ki jih imajo dijaki do trenutne stavbe parlamenta. Najina hipoteza je bila, da bi dijaki kot stavbo parlamenta rajši imeli Plečnikovo \textit{Katedralo svobode}, kar se je po analizi rezultatov ankete izkazalo kot potrjena trditev.
\subsection{Hipoteze}
@@ -18,4 +20,4 @@ Predvidevava, da
\item obstaja nezanemarljiva skupina dijakov, ki bodo na vprašalniku \textit{ugibali} in zato k umetninam v stavbi parlamenta pripisali tudi umetnine, ki jih v stavbi parlamenta ni, a so bile vseeno na seznamu možnih odgovorov,
\item večini dijakov zunanji izgled stavbe parlamenta ni povšeči in
\item bi dijaki rajši kot stavbo parlamenta Republike Slovenije imeli Plečnikovo zasnovo.
-\end{enumerate} \ No newline at end of file
+\end{enumerate}
diff --git a/oiv/osnutek/tex/viri.tex b/oiv/osnutek/tex/viri.tex
index 56e18e0..f97a21a 100644
--- a/oiv/osnutek/tex/viri.tex
+++ b/oiv/osnutek/tex/viri.tex
@@ -1,28 +1,3 @@
-\section{Viri in literatura} % PO ABecEDI PIŠI!!!!
-%\begin{thebibliography}{9} % linkov ne lomimo, ker imava z zwitter o tem
-% \bibitem{60dz}
-% \textit{60. obletnica zgradbe}. Portal DZ. 2019. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{60dz}
-% \bibitem{delo}
-% Bojc, S. \textit{Galerija slovenskega kamna in umetnosti}. Delo. 2019. [Internet]. [citirano 16. oktobra 2020]. Dostopno na naslovu \shortlink{delo}
-% \bibitem{glanz}
-% Grabar, N. \textit{Arhitektura parlamenta po načrtih Vinka Glanza}. 2012. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{glanz}
-% \bibitem{enwikiparl}
-% \textit{National Assembly Building of Slovenia}. 2020. Angleška Wikipedia. [citirano 6. novembra 2020]. [Internet]. Dostopno na naslovu \url{https://w.wiki/kSE}
-% \bibitem{poslopje}
-% \textit{Parlamentarno poslopje}. Portal DZ. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{poslopje}
-% \bibitem{wikistavbadz} % različna mnenja. UPORABLJAJ KRATKE LINKE, ~20 zna.
-% \textit{Stavba Državnega zbora Republike Slovenije}. 2019. Slovenska Wikipedija. [citirano 12. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{wstavbadz}
-% \bibitem{trg}
-% \textit{Trg republike}. Visit Ljubljana. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{trg}
-% \bibitem{umetniska}
-% \textit{Umetniška zbirka}. Portal DZ. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{umetniska}
-% \bibitem{portal}
-% \textit{Vhodni portal}. Portal DZ. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{portal}
-% \bibitem{wikiglanz}
-% \textit{Vinko Glanz}. 2018. Slovenska Wikipedija. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu: \shortlink{wglanz}
-% \bibitem{likovna}
-% Vovk, M. \textit{Likovna oprema palače ljudske skupščine --- freskarski cikel Slavka Pengova in kiparski portal Zdenka Kalina in Karla Putriha}. 2012. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{likovna}
-% \bibitem{celostna}
-% Vrečko, J. \textit{Das Gesamtkunstwerk als Nostalgie}. 1989. Filozofski vestnik. [Internet]. [citirano 16. oktobra 2020]. Dostopno na naslovu \shortlink{celostna}
-% \end{thebibliography}
+\section{Viri in literatura}
+\nocite{*}
\printbibliography[title={Viri}]
diff --git a/oiv/osnutek/tex/zakljucek.tex b/oiv/osnutek/tex/zakljucek.tex
index 70ad2a5..0d6c919 100644
--- a/oiv/osnutek/tex/zakljucek.tex
+++ b/oiv/osnutek/tex/zakljucek.tex
@@ -1,6 +1,7 @@
\section{Zaključek}
Anketiranci večinoma niso vedeli odgovorov na vprašanja, kar potrdi najino hipotezo, da povprečen dijak ne ve veliko o stavbi. To potrdi hipoteze 1, 2 in 3. Prav tako se zdi, da se dijakom trenutna stavba zdi primerna, kar se pa ne ujema z najino hipotezo 5, vendar se jim vseeno zdi Plečnikova Katedrala svobode primernejša, kar potrdi hipotezo 6.
+Zaradi premalo časa dostopnosti ankete so podatki lahko nereprezentativni. Za dosego večje zanesljivosti bi bilo potrebno anketirati več dijakov.
% evo še zaključek če ti kaj pomaga
\if\razhroscevanje1
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